Wednesday, 14 September 2016
Saturday, 3 September 2016
Review: Silas Marner by George Eliot
England in the early 19th century, where folklore
and religious belief shape people’s lives.
Silas Marner, a trusting soul and master weaver, begins a new life after
he is betrayed by his best friend and is forced to leave the village and church
he has grown up with.
A victim of his deteriorating appearance, unsociable
attitude and growing cynicism, he lives as a hermit and collects his gold as
though there were nothing else of value in the world.
One day, the unthinkable happens – he is robbed – and he is
left distraught. But, as in every
fairytale, there is a turn in his luck and with the arrival of a child,
orphaned on the road side, he begins to feel the love and joy that have been missing
from his life.
The plot is balanced and satisfying without being
sentimental. The characters are
portrayed convincingly – there are those we can detest and those we can
admire. But what I enjoyed too was the historical
aspect of the story. The setting is
rural England, in the Midlands and the harsh climate and rugged scenery bring
out the empathy we develop for Silas Marner as he struggles to escape his
cloistered existence and find a reason to live.
Raveloe is peopled with an authentic mix of landowners,
farmers and trades folk. It’s
fascinating to follow the various social workings of a small and largely
principled village community. What
strikes the reader is the pleasing simplicity of the work/life ethic by which
inhabitants are judged and valued.
Religion is the guiding star, of course, closely followed by
superstition and folklore. Life in
Raveloe is hard, but there is an interdependence between the villagers and a
generosity that would be difficult to find in a more modern society.
What I enjoy most about George Eliot’s very accomplished
work is a feeling of proximity to the characters and their environment, both
physical and philosophical. I sit by the fire with the protagonist and
accompany him along the difficult road to his personal epiphany. And this, without undue sentimentality.
The workings of the early 19th century mind are
uncluttered by technology, travel or consumerism. The people of Raveloe spend their time in search of a life that
is both rewarding and, it seems to me, ethically justifiable. Apart, of course, from Dunstan Cass – there
has to be a fiend in a story worth reading, after all.
To finish, I have to say that the language of Silas Marner
is at times a challenge. As a linguist,
I welcome the challenge of a syntax and vocabulary which is of the story’s
era. Reminiscent of Shakespeare at
times, the proverbs and sayings are clichéd, but apt. There are words that are no longer in use, although it is
perfectly possible to infer meaning.
There is, as so often is the case with writers of this time, a fashion
for writing in dialect to add colour and authenticity to the divisions in
society. All this, in my opinion, makes
Silas Marner even more of a pleasure to explore.
Monday, 29 August 2016
My French Life - A Bit of a Rant
I don't usually complain, but...
Last week we went out to eat at a local restaurant whilst
holidaying in the family mobile home.
It’s always a gamble, especially in a holiday resort, where tourists
line up to be disappointed by mediocre food and disaffected kitchen staff, and
owners lose sleep over rents and retirement funds, vying with other eateries
for customers. Of course, bad
experiences are rare in France – we were just unlucky I suppose.
It was to be primarily a social occasion. The meal would be
of secondary importance. There was Al,
my husband, Alfie, my son, Sally and Paul, two friends, Ollie, Sam and Tom,
their teenage sons.
Someone had recommended a place. Sally checked out the menu
in advance and judging it to be refreshingly different from the ubiquitous
pizza or hamburger restaurants, booked a table for eight thirty.
I’ll admit, I’m always a bit nervous about eating out at the
best of times – home cooking is generally so much better. And, although French cuisine is more exciting than the local
Beefeater Pub fare in England, one tourist resort is very much like another no
matter where you are. You never know what you’re going to get, who will be
preparing it, or whether it will provoke a violent reaction later. But, as I say, it was all about the company.
The menu was ominously prolific. Gordon Ramsay would have given it a severe edit. We made our selections, some
of us ordering a starter and all of us carefully selecting a main course from
the modern wipe-down menu. If only I
had ventured into the back of the restaurant before the waitress came to take
our orders.
Tom and I ordered cod in a sauce (unspecified, but which
turned out to be largely flour and water), served with summer vegetables (cold
sweet peppers tainted with curry powder).
Four of our party went for the notorious French entrecote and chips,
Sally had moules mariniere, Al had sole.
The starters arrived and were eaten: A few prawns served with a dollop of mayonnaise, a meagre fruits de mer
platter that looked as though it had been in a can moments earlier, an underwhelming ‘chiffonade’ of ham for Tom, fish soup for Alfie (straight from a jar, complete with sludge), and
enormous salads for Paul, Ollie and Sam (mostly lettuce, decorated with cheese,
fish and ham respectively). We were struck by the variations in portion size
and nervously fascinated by the oddity of the dishes.
My piece of cod came skin-up. It measured less than the size of a small bar of soap and had
rather less to recommend it in terms of flavour (I imagine). The chef had lavished four potato wedges on
me and the afore-mentioned summer vegetables sat in a one-person earthenware dish, shivering. I exchanged more than glances with the
waitress, who offered to bring me another piece of fish, and vanished before I
could stop her.
I apologised to the party, feeling churlish for being so negative. This was no beachside café,
however, and the prices had hinted at some element of quality, not to mention a
warm plate and a few therms running through the food upon it.
We drank more wine, tried to find something positive to say,
but Alfie reluctantly admitted that his steak was mostly fat, as was Sam’s, Ollie's and Paul’s. They ate the parts that were edible and
looked miserable. Al, affable and
uncomplaining, had eaten half his sole before asking me whether it should be
pink and frozen in the middle.
In the
meantime, our waitress returned with another miniscule piece of cod in a
microwave-safe dish, only to meet my eye and hear that I would not eat it,
neither would I pay for my meal, adding that Al’s fish was raw.
His second sole was hot and delicious.
By
this time, the simple act of eating had become surreal.
The waitress placed her hands on her hips and adopted a conspiratorial air. Over the course of the next few minutes, various discoveries
were made to explain her pained yet strangely gleeful expression: The owner, she said, was not himself. He was standing in for the washer-upper and, as a result, the ‘chef’ had been left unsupervised in the kitchen with his lack of passion
running wild. This meant, our waitress
told us, that he was serving ‘n’importe quoi’ to the diners. I asked my son what this meant (he’s fluent
in conversational derogatory French, whereas I am more at home reading Moliere)
and he told me that it meant the food was basically ‘bollocks’. I could only agree. As could the waitress.
Grumblings began to turn to calls for action and as the rest
of the party had little French (my son was not confident enough to rise to the challenge), I asked the waitress to take me to the ‘patron’. A light flickered in her eye and she led me
to the open kitchen where I was met by two young men (one no more than a
teenager) both evidently brimming with pent up emotion and unused to being
caught out. I told them that they
should be ashamed to serve such food to their customers. This seemed to hit home – they had been
expecting a rather more aggressive attack, I think. I felt no remorse for their embarrassment. The
food had been exceptionally inedible.
The waitress, who was now unabashedly delighting in the
spectacle of their maroon faces, led me further into the restaurant to speak to
the patron, who was hosing down plates and looking shifty. On the counter, were the remnants of four
entrecotes. His first defence was to
point out the edible bits, sorting through the leftovers with a fork, oblivious
to my incredulity. I said that the meal had been awful and that our evening had
been ruined. What was he going to do
about it? I would have been satisfied
with an apology, a reduction in the bill and a quick getaway.
To my surprise, he responded that his evening had also been
ruined, adding with a petulant flourish, as though I should be pleased, that he had sacked the chef with immediate effect. In a gesture of magnanimity he had removed
the price of the meal I hadn’t eaten from the bill and offered to do the same for one of the
steak and chips.
Paul was all for walking out.
I negotiated further, amazed that the man in charge could
miss the point so completely.
In the end, the bill was adjusted a little more in our
favour, but the evening still cost us far too much. Al and I went on the big wheel, just to add some frivolity to an
otherwise sober evening, and because he had drunk too much wine. After that, we went home and Al had cheese and biscuits while I made myself a
lovely tomato sandwich.
Tuesday, 9 August 2016
Bev Spicer's Novels
I have written a number of novels, all of which are character-driven and involve intricate plots that will hopefully keep you guessing.
My Grandfather's Eyes is my first published novel, although it was not the first I wrote.
I tend to enjoy creating flawed characters, and Alex is probably one of my most complex. There isn't much to like about her, it's true, but she does have some serious issues to deal with. Her single-minded approach to investigating the past so that she can move on with her life often has shocking consequences. What has she done and what will she do next? These are the questions that drive the story forward.
You can download a free sample of My Grandfather's Eyes to find out whether Alex is the type of character you might enjoy. Just click on the link below:
My Grandfather's Eyes is my first published novel, although it was not the first I wrote.
I tend to enjoy creating flawed characters, and Alex is probably one of my most complex. There isn't much to like about her, it's true, but she does have some serious issues to deal with. Her single-minded approach to investigating the past so that she can move on with her life often has shocking consequences. What has she done and what will she do next? These are the questions that drive the story forward.
You can download a free sample of My Grandfather's Eyes to find out whether Alex is the type of character you might enjoy. Just click on the link below:
A Good Day for Jumping follows the lives of Stephen Firth, a handsome, rich, promiscuous young man and Joyce Shackleton, a deeply surprising middle-aged woman. (No, they are not going to have a torrid affair - sorry to disappoint! Their stories are linked in a much more subtle and interesting way.)
Set in Greece, where I lived for two years, there is a many-layered plot involving characters whose worlds collide in the most disturbing ways.
There are characters you can really care about and others you may despise. The world is not full of perfect people, after all.
Follow the link below and look inside - you will find yourself in the small town of Rethymnon on the island of Crete, where Stephen Firth is considering his options.
A Life Lived Twice is quite different in format to my first two novels, with shorter chapters and rather more well-balanced characters, who lead normal lives and whose interactions do not always lead to disaster! However, there are the usual scandals associated with a close-knit society and there is also Claude Cousteau (the undertaker's son) to add a touch of evil that will undermine the pleasant comings and goings in the small French village of St. Martin le Vieux, where our heroine, Martha Burton, has bought a traditional Charentaise house, and has attracted the attentions of her handsome neighbour.
Follow the link and download a free sample to find out how the idyll of everyday life in a French setting has no bearing on a man who has grown up in an altogether more disturbing environment.
What I Did Not Say is my most recent novel. Jessica Morley is on her way to meet with a man she hasn't seen for fifteen years. In her bag there is a package she must deliver. As she travels south, she remembers Jack Banford, a boy who captured her imagination as a child and made her believe in a future that could never happen. Now it is time for her to set the record straight and finally put the past behind her. If you like a good courtroom drama, you'll love part two of this well-received story of love and cruelty in all its forms.
Thursday, 9 June 2016
FIVE READS
FIVE AUTHORS
FIVE GENRES
99p/99c
FIVE DAYS ONLY
Discover a new
author? Try something different? All of the authors below are offering readers
the chance to download one of their ebooks that has received great reviews and
has a high star rating. For the next five days you can download and enjoy any
of these titles for just 99p or 99c
(from 10th–15th June). Just click on the links to view any
book on Amazon.
What I Did Not Say
Mystery/thriller
"Outstanding mystery/thriller. I was blown away by this novel…" ~ Babus Ahmed, Amazon Top 1000 reviewer and prolific book blogger.
"Part 2 was the trial, where the pace and tension were excellent. The pages seemed to turn themselves." ~ Amazon reviewer.
Click to view on Amazon
The House of York
Contemporary family drama
Click to view on Amazon
The House of York
Contemporary family drama
"The ending to the story kept me thinking for days." ~ Shaz Goodwin, book blogger and Amazon Top 100 reviewer.
"Best book I've read this year." ~ Joanne Phillips, top selling women's fiction author.
Love, loss, jealousy, abduction and murderous intent form the basis of this highly acclaimed, complex family saga spanning the years 1993 – 2014.
Click to view on Amazon
The Sickness
Supernatural horror
"If you like your supernatural horror to be dark, gruesome and unequivocally gory, then this is the book for you. It is explosive, expertly written and riveting." ~ Shelley Wilson, author of The Guardians, YA fiction novels.
"A captivating and suspenseful read . . . a story-telling standard equal to some of the biggest names out there in horror today." ~ Sharon Stevenson, author of The Gallows Novels and the After Death Series.
Forced home to attend his parents' funeral,
James Harris returns to a place of childhood torment and gruesome horror.
Death Times Three
Cosy mystery
"Elinor (Gray) is a wonderful amateur sleuth—she's whip-smart and determined without coming across as nosy or arrogant." ~ Elizabeth Maria Naranjo.
"I'm a sucker for stories involving a female who can't resist sticking her nose into a curious puzzle and the attractive man who can't stop her." ~ Terri Case.
A Las Vegas librarian trips over a murdered artist and an amateur sleuth is born.
Two short stories and a novella.
What Jennifer Knows
Contemporary women's fiction
"Sensitively drawn characters charm us… The shifting nature of loyalty and love is portrayed through searingly honest glimpses into the characters' lives, both past and present." ~ Jenny Worstall, author and musician.
Contemporary women's fiction
"I started off liking What Jennifer Knows...I finished the novel loving it." ~ Judith Barrow, author and creative writing tutor.
Jennifer Jacobs unwittingly discovers a link between two of her friends.
Should she speak out or stay silent?
Monday, 23 May 2016
Life in a French Village
Excerpt Six from 'A Life Lived Twice' by B A Spicer
(Click on the title to go to Amazon and download Martha's story for 99p/99c 24th - 30th May.) Offer now ended.
After two
years, Claude had reluctantly left his apprenticeship under the guidance of
Felix Dumas, to return to his father, who could no longer fulfil the occasional
contracts required of him. The time had
come when he did not have the stomach for his trade and preferred to busy
himself with his undertaking business, making arrangements for the dead instead
of providing new corpses for the coffins he sold. So, despite an overwhelming wish for his son to qualify as a
lawyer, he sent for Claude one cold afternoon, when his heart had been touched
by ice for the last time.
Claude had
not hesitated. He would not have said so for the world, but he knew
fundamentally and categorically that Felix Dumas would never make anything of
him. The former was restricted by the
law he served, despite his undeniable intelligence. The law was a prison.
Claude coveted his freedom, both physical and spiritual – he would never
be able to abide by such petty rules.
And now, his father was dead.
Rosa
Cousteau had grown older and fatter, her expression set and sullen. She worried about the past and the future,
leaving no time for the present. She
had no love for her son, but grieved still for the daughter she had lost years
ago to a cruel virus. Claude was no
substitute, with his cadaverous features, his sunken eyes and his untidy,
mouse-coloured hair.
She could
not bring herself to kiss her son when he came to visit, but listened politely
to his descriptions of the places he had been.
It was always places that he spoke of and never people. Almost never. Only one name came up in conversation: Felix Dumas was a paragon
of virtue, selfless and generous to a fault.
She was sick of hearing about him.
His father had been a constant drain on her husband. Such a big man! Wealthy and educated.
Pah! Her husband had been caught
in his flame, like a moth, bobbing and blundering to remain in the circle of
light, just as her son now did, a generation on.
The life had
been sucked out of her husband slowly but surely, until his heart had given out
one day during dinner and he had died in front of her, the agony on his face a
memory she could not forget, his love for her too tragic to be savoured. Dumas had not attended the funeral but his
son had sent a message – she remembered how Claude had read it out to her. It had made her sick to her stomach.
Rosa
Cousteau’s bills were paid, and food was put before her. She lived on, cared for by servants who
whispered behind her back, and a son who fulfilled his professional obligations
with a sang froid that her husband had lacked.
The sun rose each morning and lit the room where she
slept, but could not warm her heart.
And when Claude came to visit, it was without love that she surveyed the
dull features of a man who killed, she suspected, without conscience. More than once, she had considered taking
the shotgun from the cabinet and pretending that she had mistaken him for an
intruder, for, the thought that she had brought such a monster into the world
was, at times, unbearable.
Sunday, 22 May 2016
Don't Judge a Book by its Cover!
Review: 'Jessica Lost her Wobble' by J. Schlenker
Both the cover (which shows a bicycle on a bridge), and the
author’s plot summary set me on course for the tale of a ‘damaged’ woman who
had moved to an island to begin a new life and who, metaphorically speaking,
might lose her ‘wobble’. It was a
fairly under-whelming premise.
The style of writing is explicit - there were no real
surprises. I must admit that although
the story of Jessie’s life on the island and her memories of when she moved to
New York from England as a young girl are well-written and engaging, the candid
nostalgia of a woman writing about life in the mid-nineteen hundreds was not
ringing my bell. Strange then, how
comfortable it felt to pick up my kindle and retrieve Jessie where I had left
her. Strange, the vague affinity I had
with this woman who seemed to be working through a tragic history and searching
for a new interest: yoga, cooking Indian food, opening a tea shop…
The people she meets are interesting and well-developed
characters, the stories of her past are from another era, and demonstrate a
shocking naivety and a touching vulnerability.
Jessie is nice, with a capital ‘N’.
But ‘nice’ just doesn’t cut it in the real world. Not for me, at least. Lots of people will enjoy the life and times
of a woman like Jessie, who has lived a varied and interesting life. A woman who it’s easy to like and for whom
we wish at least some happiness in her new life on the island. But I couldn’t quite understand why this
book was a finalist in the 2014 William Faulkner – William Wisdom Creative
Writing Competition.
Then comes the twist.
Exquisite!
I wanted to know more about the author. The only thing I could find was a single
photograph on Amazon India. In it,
she’s wearing a huge grin. How
appropriate!
Subscribe to:
Posts (Atom)









