For the next four days, my short story 'Angels' will be free to download onto any electronic device.
I like to explore emotional responses to all kinds of situations, because the human mind is endlessly fascinating, resourceful and mysterious. I know I am reading a good book when the words on a page strike a note, and I experience a strong affinity with a character. I like to see and feel as I read. I prefer a book to be about real people, not stereotypes. And setting is important, too. I do not like description for its own sake, but to create an atmosphere, a backdrop for the story.
'Angels' is about a mother who loses her daughter to bullying at school and decides to take revenge. I wanted to walk with her through the forest and understand her motivations. I hope I have avoided sentimentality. I am aiming for something much deeper.
Plot is important, too. There are a few surprises and points of interest along the way. There is even an intrepid 19th century inventor, who jumps from the Eiffel Tower, wearing a homemade parachute! He was quite determined, as you can see if you click on the link below.
There is an unusual ending to 'Angels', which I hope will satisfy. Why not download it and let me know what you think? Many thanks.
Download 'Angels' FREE by clicking on this direct link to Amazon: http://www.amazon.co.uk/Angels-ebook/dp/B009DFGNFO/ref=cm_cr_pr_pb_i
You can watch this short (less than two minutes) film on You Tube, either before or after you've read 'Angels': http://www.youtube.com/watch?v=FBN3xfGrx_U
Friday, 27 September 2013
Thursday, 5 September 2013
French Living
Obviously, I am 'living the dream' - this is just what happens the rest of the time:
Got back from the coast to find that the bakery was
shut. Monday closing. So was the Co-op. No bread, no milk, no cereal. The boys were not amused. I’ve been here for
nearly five years now and I still can’t get used to the French way of
life.
I get up between 7.00 and 10.00 depending on who needs me to
be conscious and in the kitchen. I
don’t plan much, so meals are last minute inventions. Yesterday we had cheese with tortillas and fig jam. They were quite nice, actually. So, today was not too much of a challenge,
once I’d found some burger buns in the freezer and made ‘sandwiches’ with
lardons, and tomatoes from the garden.
Went down well.
I talked about writing a list, over coffee with my
husband. Too many things to do, depressing
not to get stuff done, blah, blah. He
dozed off in his chair, basking in the sunshine before work. Then I started on
the laundry room – the least renovated and most uncleaned part of the house. The washing machine is in one corner, with
the tumble drier on top (I sometimes like to shrink clothes). There is a manky Butler sink with a tap that
spurts water in most directions. The
laundry basket is generally overflowing with clean clothes that my children
shove in regardless, fresh from their bedroom floors. Most horrendous of all are the temporary plastic shelves that
house 101 almost empty bottles of lotions, soaps, sun creams, etc and millions
of out-of-date potions from the pharmacy.
I have to mention that the pharmacy is the most important
shop in the village and is always busy.
In France people love to buy medicine.
You can’t get anything in the supermarket, not even a box of
paracetemol - you have to go to the
pharmacy. I went with my son today to
get a certificate for him to play football from the doctor’s (all to do with
insurance, apparently!) then to pick up some becotide and a knee strap. We were offered various other medication for
no particular reason, and the assistant was amazed that we only wanted what we
came in for. I advised my son to forget
about languages and train to be a pharmacist.
Anyway, back to the laundry room. Cobwebs, dust from the stone walls, various stains – it would not
be a one-hour job (I refer you to my unmade list). I hung out the washing and snipped off a dead sunflower,
deadheaded a million roses and stick-flicked a cat poo (not recommended). Cup of tea.
‘I’m hungry’ alert went up – still no bread. Thank God for baked beans and omelette.
Dishwasher loading by eldest son.
Spider chasing re-commenced at around 3.00 and mopping
followed hoovering (hoover had to be coaxed
three times after choking on small stones - from mortar currently
holding walls up). Then, I went
shopping. Spent a fortune and watched
my purchases pile up as I tried to unload and pack at the same time. Did not thank the assistant for not stopping
the conveyor belt or noticing that I was willing her to break the habit of a
lifetime and help me pack (in France you are on your own at the checkout).
Back home and a reluctant return to the laundry room, via
petrol station (where I was behind a man with a deathwish -smoking) and a shop
called Foire Fouille where I bought some of those funny 80s shelves that look
like boxes and are stepped – meant for ornaments, I think, but perfect for
shoes that normally reside on laundry room floor. Bingo.
Self assembly.
Laundry room finished, shoes stacked on shelves (rocket science degree required to put
together).
Glass of wine in the garden was nice, as was mosquito bite
on instep. Then re-appearance of boys
led to preparation of newly purchased chicken kievs with potatoes dauphinoise
(canned) and haricots verts. I wasn’t
hungry.
You will find direct links to all my books, and what Amazon readers say about them, at the top of this page.
Sunday, 11 August 2013
Caravan holidays
I'm having a lovely couple of weeks in a luxurious mobile home in the SW of France (very kind parents-in-law). My two boys are out playing football until midnight and I'm sitting on the sumptuous couch wondering at how nice it is to have no less than two bathrooms, a state of the art kitchen and spacious decking. The boys' bedroom is at one end and mine at the other. What planning!
Caravans weren't quite like this when I was little. They didn't use to have showers, or toilets for a start! The one we spent our holidays in was at a place called Green Acres in North Wales. Nearest beach was Black Rock sands.
The van was pale green and cream, with a large living area and bay window (some things don't change). I remember we cooked on gas because my mother left it on regularly, but failed to see any of us off, luckily. In those days, the smell was powerful. We had bunk beds to sleep in. Cramped, no head room and hardly long enough to stretch out. We zipped ourselves into sleeping bags and hoped we wouldn't need a wee in the night.
We went to the beach no matter what the weather was like, put on crinkly swimming costumes and ran up and down to keep warm. My mother tied a line to our wrists when we went in the sea, as though the three of us were ungainly kites, taken by the treacherous currents rather than the wind. We had a dinghy, too, which caused a great deal of bickering as it wasn't big enough for all of us at the same time.
At the end of the day, when we were blue, Mum stuck our heads through specially made ponchos so we could get dressed without showing our bottoms, then we would be allowed to sit on Dad's lap and drive the Volkswagen Camper Van up and down the beach, veering towards the waves and screaming loudly.
If we were good, we went along 'the rabbit run' to Criccieth, singing 'Run rabbit, run rabbit, run, run, run...' whenever one bounded into the road ahead, as they often did. It was a winding road and, in the dark, the whole adventure was even more thrilling. In Criccieth, after we'd looked at the castle, we had fish and chips, sitting on the sea wall, followed by a Cadwalader's ice cream, with its secret ingredient, which was rumoured to be honey.
Home again and out like a light while Mum and Dad sat outside talking and laughing, having a drink and a smoke in a rare moment of calm under clear, starry skies.
Those were happy days, indeed.
Saturday, 3 August 2013
How do you write?
Lots of people ask me this question. A very few of them actually want to know the answer.
Everyone is different. So my way will not be the same as anyone else's way, right?
Who knows?
I thought I would try to put together a few pointers that I keep in mind while writing, just to fix them in my own mind and give people who are interested an insight into the mind of someone who is doing her best to learn and develop her skills.
First of all, I have several projects on the go at the same time. At present I have five, all at different stages. This, I find, is essential. I have to have a choice. When I sit down, I am grabbed and sucked in, to the exclusion of everything, including food, time and other people. Then, just as quickly, I am finished. For example, so far today I have submitted a book for printing and written 1,000 words of my novella 'Night Garden'.
I say, novella. It started out as a short story and might well end up as a novel. I have no idea what will happen next. My protagonist, a nineteen-year-old university student with a crush on a twenty-nine-year-old woman will work it out. The story is told through his voice. He is caught up in what will happen, just as much as I am. I do have plans and keep notes, but I am not restricted by these.
Which leads me on to a very important aspect of my work (because it is work, even though I could not live without it). I spend months, often longer, developing a book. By the time it is ready for publication I know every inch of it and have lived inside my characters for so long that I can call them up for their opinion on anything under the sun. I know how they move, how they eat, whether they believe in love, god or charity. And I know how they express themselves.
Dialogue is key. I have learned to use it more and more. It moves the action along and adds value to the characters without boring the reader. This is crucial, I think. My first novel is so thick and muddy with prose that I would not wade through it in the foreseeable future unless my life depended on it. I may revise it one day, when the urge takes me. But it will be a labour that may not be worth the effort. We shall see.
Was I blind to my own shortcomings? Categorically, yes! Why did I not get a second opinion? How could I not have recognised the turgidity of style and the ramblings of a self-indulgent mind? The answer to this is important. Don’t expect your friends to tell you the (whole) truth. ‘Please be honest!’ doesn’t work. You need an unbiased opinion, which is hard to find. What I do now is to use a number of readers – some are friends who do give gentle nudges in the right direction, others are colleagues ranging from professional editors to fellow authors. And for the absolute truth, I have my husband. Feedback. I might not like it, but I always listen to it carefully and take heed.
And then there is proofreading. How many times have I heard people say that you cannot proofread your own work? You can. But you will miss something, that’s for sure. Spellcheck can help – if you don’t believe it most of the time and know why it's giving such mad advice. What you need, though is other people. And they have to be able to spell and punctuate. Again, my husband is invaluable, as he sees the final reading as a personal challenge, invariably coming up with a number of queries and at least a couple of mistakes I didn’t know I’d made. An example of this is ‘wondered’ in my book ‘One Summer in France’. Now, I know the difference between ‘wonder’ and ‘wander’. Of course I do. But I still missed one and he found it. I have corrected it, along with four other errors, for my paperback version. I will also re-submit the ebook version, although I am always slightly nervous that the conversion process for Kindle will end up producing mistakes in formatting that will be far more distracting than a very small error in spelling or punctuation. Trouble is, once I know about them, I have to fix them.
This is by no means an exhaustive list. I could go on for far too long about many other aspects of writing that come into play in the process of producing a work of fiction. Not least the crucial role of the imagination. Perhaps that will get a post all of its own one day.
For the moment, I shall leave you with the prologue to ‘My Grandfather’s Eyes’. Of course, all comments will be gratefully received!
But I do not care.
If I have aroused your curiosity, you might like to download the rest of the book by clicking on the direct link to Amazon at the top of this page. And, if you do, I hope you enjoy reading it as much as I enjoyed writing it.
Everyone is different. So my way will not be the same as anyone else's way, right?
Who knows?
I thought I would try to put together a few pointers that I keep in mind while writing, just to fix them in my own mind and give people who are interested an insight into the mind of someone who is doing her best to learn and develop her skills.
First of all, I have several projects on the go at the same time. At present I have five, all at different stages. This, I find, is essential. I have to have a choice. When I sit down, I am grabbed and sucked in, to the exclusion of everything, including food, time and other people. Then, just as quickly, I am finished. For example, so far today I have submitted a book for printing and written 1,000 words of my novella 'Night Garden'.
I say, novella. It started out as a short story and might well end up as a novel. I have no idea what will happen next. My protagonist, a nineteen-year-old university student with a crush on a twenty-nine-year-old woman will work it out. The story is told through his voice. He is caught up in what will happen, just as much as I am. I do have plans and keep notes, but I am not restricted by these.
Which leads me on to a very important aspect of my work (because it is work, even though I could not live without it). I spend months, often longer, developing a book. By the time it is ready for publication I know every inch of it and have lived inside my characters for so long that I can call them up for their opinion on anything under the sun. I know how they move, how they eat, whether they believe in love, god or charity. And I know how they express themselves.
Dialogue is key. I have learned to use it more and more. It moves the action along and adds value to the characters without boring the reader. This is crucial, I think. My first novel is so thick and muddy with prose that I would not wade through it in the foreseeable future unless my life depended on it. I may revise it one day, when the urge takes me. But it will be a labour that may not be worth the effort. We shall see.
Was I blind to my own shortcomings? Categorically, yes! Why did I not get a second opinion? How could I not have recognised the turgidity of style and the ramblings of a self-indulgent mind? The answer to this is important. Don’t expect your friends to tell you the (whole) truth. ‘Please be honest!’ doesn’t work. You need an unbiased opinion, which is hard to find. What I do now is to use a number of readers – some are friends who do give gentle nudges in the right direction, others are colleagues ranging from professional editors to fellow authors. And for the absolute truth, I have my husband. Feedback. I might not like it, but I always listen to it carefully and take heed.
And then there is proofreading. How many times have I heard people say that you cannot proofread your own work? You can. But you will miss something, that’s for sure. Spellcheck can help – if you don’t believe it most of the time and know why it's giving such mad advice. What you need, though is other people. And they have to be able to spell and punctuate. Again, my husband is invaluable, as he sees the final reading as a personal challenge, invariably coming up with a number of queries and at least a couple of mistakes I didn’t know I’d made. An example of this is ‘wondered’ in my book ‘One Summer in France’. Now, I know the difference between ‘wonder’ and ‘wander’. Of course I do. But I still missed one and he found it. I have corrected it, along with four other errors, for my paperback version. I will also re-submit the ebook version, although I am always slightly nervous that the conversion process for Kindle will end up producing mistakes in formatting that will be far more distracting than a very small error in spelling or punctuation. Trouble is, once I know about them, I have to fix them.
This is by no means an exhaustive list. I could go on for far too long about many other aspects of writing that come into play in the process of producing a work of fiction. Not least the crucial role of the imagination. Perhaps that will get a post all of its own one day.
For the moment, I shall leave you with the prologue to ‘My Grandfather’s Eyes’. Of course, all comments will be gratefully received!
Prologue
I have never been beautiful. And,
of course, my appearance has deteriorated over time. It is something I have become used to. When I look in the mirror these days, and that is not very often,
I am not surprised by what I see. Nor
am I disappointed, as I have given up hope of catching myself in a good
light.
Let me tell you what I see. First, the shape of my head is noticeably
irregular, with a medium-sized bump just in front of the crown. Next, my forehead is lined. It always has been, ever since I can remember.
People used to say I must be a deep thinker.
Only some of them were being kind.
Now the lines are deeper, but the traces they follow date back to my
school days, when they did not go unnoticed by bullies. My eyes are large and green; some might say
they are intelligent eyes, that they are insightful or sincere. I have learned not to set much store by what
other people say.
I have meagre lashes, but it is
usually boys who have the lavish kind.
My nose is straight and my mouth is full. My hair is mousy, fine and thin. I used to buy shampoo for flyaway hair, when I believed in such
nonsense. When I was young, I wanted
thick, straight blond hair, like my friend Lizzy’s. We all want what we can’t have.
There is perhaps nothing so far
to complain about very much, you might say.
And so I come to my moles: the
unnatural, crawling growths that spread themselves over the side of my face and
the underside of my jaw. If you could
see me now, you would probably recoil. I have noticed that even the most
educated, the most sympathetic person has difficulty in hiding the innate disgust
my moles excite in them. Ah, yes. Disgust is not too harsh a word, I can
assure you. And the others? Those who
make no attempt to hide their feelings towards me? They cannot help themselves, but stare in horror at what they
see, as they sit on the bus clutching their shiny, plastic bags full of new
things or as they push their wholesome choices around the supermarket. Young children are the worst. I do not admire their honesty, as their
obsequious parents do.
My moles. My nevi. How can I describe them? I should say they are more or less dark
brown in colour, although there are two above my left eye that are noticeably
lighter. My husband called them Castor
and Pollux. All have a rubbery, soft
texture and, apart from one large mole near my ear, are hairless. The one near my ear has short, thick hairs
that bristle untidily. My husband had a
name for this one too. He loved me too
much. He couldn’t help it. None of us can choose whom we love.
What more can I tell you? That I am ambivalent to my nevi? That
Castor and Pollux are my favourites?
That I like them for being different?
You may think this kind of reasoning is strange and I wouldn’t blame
you. I can only explain it as a truth,
a principle that has grown inside me as my moles have swelled and spread; have
become part of my life. Now, I am not
sure I could be separated from them.
There was a time when I believed
my mother loved me. A time when she called me beautiful and, because I was not
yet self-aware, I let myself be preened and cosseted in exchange for the
comfort I felt from the warm glow of her approval. I did not notice how she suffered. I did not recognise the
mortification that lay beneath her smile.
However, a story must start
somewhere nearer its beginning, and so I will go back and show myself more
clearly to you, before I reveal what I have done. I expect that you will judge me.
If I have aroused your curiosity, you might like to download the rest of the book by clicking on the direct link to Amazon at the top of this page. And, if you do, I hope you enjoy reading it as much as I enjoyed writing it.
Sunday, 28 July 2013
Sample Sunday Excerpt from 'Bunny on a Bike'
Bev and Carol take a weekend away before starting work at the Playboy casino.
Playing it for me.
Find out about Bev and Carol at Playboy - click on the link above and download 'Bunny on a Bike' for a fun read.
Fourteen
The Long Mynd
We had come to
the end of our training and when Dad picked me up I had the same feeling that
I’d had when I had driven through the gates of Keele University for the last
time, having spent three glorious years enjoying myself, discovering English
Literature and listening to Molière’s
plays on a long-playing record, in a small room, presided over by my somnolent
French tutor.
With my
exquisitely educated brain I had two thoughts: I wish I’d done a degree in
astro-physics and now the shit is really going to hit the fan! I had delayed the inevitable moment when I
would actually have to earn a living, but now the time had come when I would be
put to the test.
Dad took me up
to the Long Mynd for the weekend. I didn’t resist. Carol went off to spend some time with Dave and wander round some
fields talking to pigs and cows. It
would be a moment of calm, a chance to reflect and to look forward to putting
what I had learned into practice. It would be a time to go for long walks and
evoke fond memories of Rick and I hiding in the forest while glider pilots
circled over us taking notes. Dad
didn’t want to talk much, so we listened to the Mike Sam Singers. The least bad tune, as I remember, was
‘Trains and Boats and Planes’. I
watched my dad as he drove round the winding country roads lightly drumming the
steering wheel with his fingers and smiling to himself. He looked happy and kind of slow, as though
he were contemplating something of very little importance or of great
philosophical enlightenment. Then he
told me again to take care when I drove round narrow lanes that there were not
walkers on a blind bend. My father was
a mystery to me all my life and now, when I say some of the same things to my
own children, I wish he could hear me.
Gladys and Vera
were in the kitchen, cackling away at some private joke. They made sure I was welcome and dosed me
with tea and homemade fruit cake, asking me whether I was still ‘chasing after
that poor young boy’.
‘It was nothing
serious. Just a bit of fun,’ I
said. ‘Anyway, I already have a
boyfriend.’
This, apparently,
was a hilarious thing to say.
Next morning the
weather on the mountain was good, with a clear sky and a favourable wind
direction, so that launches would be possible.
Everyone looked forward to a good day’s flying. After lunch I went over to the airfield and
Dad took me up in his two-seater. The
sound when you are inside a glider is eerie.
The wind makes a soft, whistling noise that seems to wrap around you, as
though you are giving the air a shape and a voice. I felt safe up in the sky in an aeroplane made of fibreglass,
with no engine and only a few thermals to hold it up. I felt safe because I was
with my dad and he was doing the thing he loved most in the world. He told me that there had been an accident
at one of the other clubs and that it had said in the newspaper that the plane
had crashed and burst into flames.
Luckily I realised that this was impossible and could join in with the
irony of it all.
I liked being in
the sky with my dad. He was quiet most
of the time, and when he spoke he did nothing to disturb the peace. He taught me some of the things that I
treasure most: about being consumed by an interest and, on dark nights out on
the mountain, about the stars. He knew their names and showed me the
constellations, just as I do now, when I can get my children to take any
notice.
That night there
was a phone call for me on the clubhouse payphone, which was in the draughty
and very public entrance hall. Dad said
that it was Rick. He assumed, as I did, that it was Rick, and not Rick.
‘Hello,’ said a
voice I didn’t recognise.
‘Hello,’ I
answered.
‘It’s Rick,’ the
voice continued.
And, just as I
was about to say, ‘No, it’s not!’ I realised that it was in fact Rick.
‘Hello
Rick.’ I had one of those moments where
my brain lags slightly behind my mouth and I couldn’t think of what to say
next.
‘How are
you?’ he asked. He was very young and very well educated.
‘Freezing,
actually. What are you up to?’ I was not curious, but I thought I should
ask.
‘Thinking about
you,’ he said.
‘How sweet,’ I
replied.
I liked the boy,
but there was no future in it. Bugger
and damnation I was cold. Anyway, it
turned out that Rick wanted to play something on the piano to me. It was ‘A song for Guy’ or something like
that. Elton John, I think. He was rather good, but the heartfelt notes
resonated relentlessly and generally went on a bit. By this time my extremities were turning blue and I was
sniffing.
‘That was
lovely,’ I said.
‘Would you like
me to play another?’ He offered,
sweetly, obviously mistaking my snuffling for heart-broken emotion.
My mind raced.
‘I have to do some reading.’ It was a poor excuse.
‘Oh, okay. Can I call again?’
‘Sure. I mean, yes.’
He didn’t and I
was disappointed. Everyone likes to be
adored, after all.
The rest of the
weekend was pleasant, apart from when I found an enormous spider in the shower
and had to listen to spider stories for the rest of the evening, sitting round
the clubhouse bar. I played billiards
and lost some money to the one-armed bandit before walking out to my caravan in
the dark, windswept night. I looked up
at the sky and suddenly felt that I belonged on the mountain and not behind a
blackjack table on Edgware Road. My bed
was ever so slightly damp, which was normal, and I snuggled into my duvet and
thought about the next day. Carol would
be there and she would have the keys to our new flat in Willesden Green. It would be fun and, after all, it would not
be forever. As I closed my eyes and
smiled to myself at the thought of the night sky above me and all around, and
pictured the glowing lights of the scattered houses in the valley below, I
thought of Rick playing his piano.
Find out about Bev and Carol at Playboy - click on the link above and download 'Bunny on a Bike' for a fun read.
Saturday, 20 July 2013
On the beach with Bev and Carol
(Bev and Carol are characters from my two novels: 'One Summer in France' and its sequel 'Bunny on a Bike'.)
A French lesson
I looked about me. It was difficult to see the world as a bright
and shiny place, when Jean-Paul Sartre had wheedled his way inside my brain. ‘Huis Clos’, on the beach. I looked around at some of the people,
trying to decide which of them I would mind being locked up with for eternity.
‘What rubbish are you reading
now?’ asked Carol, sleepily.
‘It’s a play about three people
who are locked in a room together.’
‘Why?’
‘It doesn’t say.’ It was a good question.
‘Tell me what happens.’ Carol wriggled a little and readied herself
for some entertainment.
‘Okay. It’s supposed to be about hell.
The title means ‘No Exit’. Have
you heard of existentialism?’
‘Just get on with it!’
This meant she hadn’t, or like
me, didn’t really get it. ‘There are
two women and one man and they hate each other. The idea is that putting them together will create a personalised
hell.’
‘Christ! I can think of a couple of people I wouldn’t
want to be locked up with!’
‘Anyway, the upshot is that we
are supposed to consider the fact that we are all free and responsible for our
own lives, but that we rely on other people or even a little voice inside our
own head to spoil our freedom by defining us and everything we do. Oh, and existence itself is meaningless.’
‘Is it French?’
‘Yeah!’
She nodded. ‘Right!
So, what you’re saying is that, if I pick my nose, I only feel bad about
it if someone sees me and I see that they see me?’
I thought for a moment. ‘Yeah, I
think so. Or, you could be
self-conscious and see yourself.’
‘Sounds as though Jean-Paul had
too much time on his hands,’ said Carol, having lost interest.
I re-opened my book, exercising
my freedom to do as I pleased, with my friend’s comments niggling somewhere at
the back of my otherwise pure and unencumbered mind. I was soon back in hell and appalled at Estelle’s blatant
sexual advances towards Garcin in front of Inez (a lesbian, and, admittedly, a bit of a tart
herself). They seemed to be making it
all much worse for themselves.’
‘Come on, then. Teach me something useful.’
Carol lay with her hands behind
her head and not a stitch on. She was
irresistible. It was another late afternoon at the naturist beach we had found
by accident, in a bid to outrun a hoard of Japanese tourists and, much as I
enjoyed the intellectual challenge of my French literature reading list, I
really hadn’t the heart to ignore her.
I decided to have some fun.
‘Okay. Let me see. Something useful. Right! Did you know that
you can remove hair dye from your forehead with plain old milk? Works like a dream.’
Carol didn’t speak.
‘It’s really useful, actually -’
‘Stop! I meant, you incredible numbskull, teach me some useful phrases
in French!’
‘Ha! Got you!’
Carol sat up. ‘What?’
‘I got you! This time, I got you!’ I was beside my new and very childish self.
‘What are you talking
about?’ she said, but I knew that she
knew she had been got. It was a rare
victory. Sweet, and to be savoured.
Carol examined the white marks
under her two silver rings, not looking up.
In an effort to remain blasé I
picked up my book and pretended to read, snickering quietly.
‘Aren’t you going to teach me any
French, then? You always say I should
learn some and now, when I ask, you just muck about!’
I put down my book. ‘All right.
Let’s start with something easy...
J’ai faim. I’m hungry.’
‘J’ai faim.’
‘J’ai soif. I’m thirsty.’
‘J’ai soif.’
‘Good. J’ai chaud. I’m hot.’
‘Now you’re talking! J’ai chaud!’ Carol licked her lips in a rather sluttish fashion, if I’m being
totally honest.
‘It doesn’t mean that kind of hot!’ I laughed and then I saw Carol smiling. It was the easy, mocking smile of revenge.
‘Got you back!’
‘I do really hate you!’ I said,
categorically.
‘I know you do, you lovely tart.’
The sun was still delicious, even though
it was past 9.00pm. Time to put on
some pants, go back to the campsite and cook up some soup and rice, followed
by Pop Tarts. A perfect end to another
perfect day.
‘Bring Jean-Paul,’ she said. ‘Don’t want any other poor bugger to have to
read his deadly book.’
I shoved ‘Huis Clos’ in my bag
for later and thanked God (now that I had thought of him) that there were
people like Carol in the world.
You can download more of Bev and Carol, young and carefree in the South of France, by clicking on the direct link to ONE SUMMER IN FRANCE, at the top right of this blog.
Wednesday, 10 July 2013
Carol and Bev and an egg.
‘How much did you pay for this pan?’
I knew that any price I mentioned would be too much. ‘Found it in one of the bins,’ I said in an
excellent stroke of one-upmanship.
‘Choose a different bin next time! This one’s crap. What
else was in it?’
‘What?’
‘The bin!’
‘I don’t know. I
wasn’t looking for anything else.’
‘You should have checked.
Brand names on packaging. Stuff
like that. Tells you what kind of pan
you’ll get.’
Carol tried to get the plastic spatula under the ruined egg.
‘Do you mind a broken one?’
she asked, charmingly.
The egg looked as though it had been run over. A number of times. Roadkill egg. ‘That’s
fine for me,’ I lied.
‘Good!’ said Carol, implying that I somehow deserved to have
my breakfast spoiled. Pan payback.
She noticed that I’d noticed that she hadn’t used any oil.
‘Why didn’t you-‘
‘-don’t say anything!’
She finished cleaning up the burnt-on egg and poured in half
the bottle of olive oil. I said
nothing.
Two minutes later, spattled yet philosophical, Carol slid
the perfectly cooked egg off the now severely deformed spatula and tore off a
hunk of bread.
The other happy campers were waking up. Some of them passed by, bleary eyed,
ignoring the two blond English girls, who were generally rumoured to be either
prostitutes, lesbians or home-wreckers.
‘Bonjour!’ I said,
cheerily.
Ugly looks came in many forms.
‘Why are you so miserable?’ asked Carol, as a miserable-looking
woman passed by.
I did not understand her reply. My knowledge of French was limited to words found in my Robert
unabridged dictionary and various works of great literature. I was also thwarted by her slick, venom infused pronunciation.
I smiled sweetly and Carol said, ‘Same to you with knobs on,
you ugly old cow!’
I shouldn’t have laughed so loudly. But Carol always took my breath away with
her candid comments.
‘What?’
‘Nothing.’
‘Not eating your egg?’
This was the straw that broke the camel’s back. Did we roar? I should say so!
The woman looked back again, mistaken and furious. The egg winked in the sunshine.
We sighed as our spasms subsided and dozed in the morning heat, young,
unloved and lovely.
Click on a link above to download more of Carol and Bev. 'One Summer in France' and 'Bunny on a Bike'.
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